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It makes me think of waves crashing against the shore. There's a mood to it, and energy. "Untitled, Part VII" he calls it. Other than that one, the pictures strike me as the sort of dreck I've always associated with Twombly. No concept, no originality, just a lucky time: he happened to be painting when Rothko, Pollack, Johns, Warhol, and Lichtenstein were popular, and somehow critics mistook his juvenelia for art. Jesus, you can't even compare him to those other five. It's like comparing Coldplay to Radiohead or U2.
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